When it comes to interior design for your vehicle, there are a number of simple and affordable additions that can revitalize your interior faster than you can say ”queer eye for the straight guy.” And as any of those guys will tell you, simply tossing in a set of fuzzy dice ain’t gonna cut it, honey. Here are three of the easiest and most affordable upgrades you’ll ever make to your vehicle.
Crafted from heavy-duty materials for long-lasting durability and comfort, a quick spin through your home washer and dryer cleans them up and restores them to like-new. Their precision-cut patterns go on and off in seconds and don’t even require tools to install. If you know how to slip something on (a glove, for example), you’ve got all the skill you’ll need. Plus, many auto seat covers come pre-coated with a water-repellent treatment to protect your interior from liquids that would otherwise permanently soak in or stain the fabric of your car seats.
Victorian design will be hugely looked on as indulging within an excessive amount of ornament. Art Nouveau style, Anglo-Japanese style, aesthetic movement as well as the Arts and Crafts movement all possess their beginnings within the late Victorian period. Interior design and decoration of the Victorian period will be noted for ornamentation and orderliness. Homes from this era were idealistically neatly separated within rooms, with private and public areas carefully divided. The parlor included the more essential room within the home and this room was a homeowner’s showcase, in which all guests were entertained.
Compliment your pieces – As a final touch, there are some things you can do to add the last finishing. This includes matching window dressing with the colour of your furniture. You can use beautiful curtains to highlight a specific theme in your room or compliment the colour of the dining room table. Small dinning rooms look great with natural wood blinds which compliment the colour of the table.
The classical arch became popular again, panel mouldings were simplified and walls were plain plaster or simply painted in neutral colours, such as grey. Symmetry found its place again and decorative devices came from classical figures, swags, garlands, laurel wreaths and urns. Flamboyance could still be seen in the beds where ostrich feathers adorned many a corona and the fabric of choice was the eye-boggling Toile de Jouy. (Take care when examining these fabrics as they often showed the events of the day in all their gory glory including the guillotining of Louis XVI and Marie Antoinette.)