The furniture needs to have rather complex lines and curves. The sofas or armchairs can be modern and simple but then more accessorizing is needed, therefore more traditional furniture will look better. The dressers, tables, bookcases and other furniture should have lacquered, mirror-like surfaces. The shape can be geometrical or abstract, depending on the direction you would like to go with your interior. Materials used can be glass or dark wood (glamour interiors are generally dark).
Textiles are another important element in glamour interior style. The interior needs to be stuffed with pillow covers. They can be metallic, but also furry, leathery, patterned, silky. Rugs can be fluffy or rather normal with damask or animal patterns. Lighting is essential to the glamorous space we are designing. First and foremost, ceiling lamps are supposed to be chandeliers or modern variations on chandeliers. You also should incorporate sconces and desk lamps into the interior. After all, a lot of light is needed to reflect in lacquered furniture, metallic pieces of art and mirrors.
With the collected information you will get as many ideas on decorating styles as possible. With all the collected information you will be able to put together all the necessary components for the desired interior design and you get a home that reflects your tastes and preferences.
Louis XV – During the early 18th century Louis XV or more likely, his talented and cultured mistress, Madame de Pompadour, sculpted this heavier style into something considerably more delicate and feminine, introducing the most French of attributes – the curve. From 1723 – 1760 these curves took on a rather frivolous manner of their own resulting in the style called Rococo, where symmetry was lost and nature took over as branches, leaves, icicles and waterfalls were the favoured decorative motifs.
The classical arch became popular again, panel mouldings were simplified and walls were plain plaster or simply painted in neutral colours, such as grey. Symmetry found its place again and decorative devices came from classical figures, swags, garlands, laurel wreaths and urns. Flamboyance could still be seen in the beds where ostrich feathers adorned many a corona and the fabric of choice was the eye-boggling Toile de Jouy. (Take care when examining these fabrics as they often showed the events of the day in all their gory glory including the guillotining of Louis XVI and Marie Antoinette.)